A book about aging, youth and sex. Irene's new book is her return to the "original Obermann," author of the bestselling Diary of a Mad Wife, which was also made into a movie. In her new novel, she thus returns to what she is strongest at - sharing strong female emotions, including taboo feelings, and also refers to the legacy of Božena Němcová, as the title itself suggests. Xénie became a grandmother. He deals with this new condition in his own way. Similar to the relationship with her vital mother, without realizing that even the energetic mother will die one day. It happens and Xénie is deeply saddened. To make matters worse, someone steals the urn with her mother's ashes. During her search for the urn, Xénie gradually learns more and more surprising things about her mother. And also about yourself. She stumbles upon a family secret she had no idea about, and when she's about to set off into the world to find her ancestors, a global pandemic breaks out. Instead of going abroad, Xénie moves to the countryside to a dilapidated house, grows herbs, sings and, despite the quarantine, meets a man who is so close to her that they don't keep two meters apart. And Xénie, consumed by the division, continues to be surprised when she awakens to her true self. In the end, she also finds the urn, although in a completely different place than she would have ever imagined.

Performer: Irena Obermannová
Directed by: Adam Levý
Recording length: 10 h 03 min.
1 MP3 CD