Vienna at the beginning of the 20th century is full of art, music and radical ideas. Egon Schiele paints his models in a bold, innovative way. But who are the women who look down from his paintings?

For some time now, Adele has felt an urge she can't describe. An irresistible fluttering in the stomach, an all-pervading restlessness... Doesn't everyone feel it? The urgent need to act, to achieve change? Aren't they praying for something to happen? Something that will fundamentally change their life?

“Gertrude, I promise you…I promise that one day, when we're older, we'll move to Vienna and live in a beautiful apartment. Just us, just the two of us.” The more Gertrude thought about those words, the more weight she attached to them. He desires nothing else. It's a promise he won't let slip.

Posing for Egon puts Wally into a hypnotic trance. She feels eyes, ghostly eyes, scanning her body. And the intensity of those looks and the conviction radiating from them that she belongs to them, that they can own her, makes her look all the more penetratingly into Egon's eyes. He returns her a look full of understanding and equality, while his brush captures not only everything in front of him, but also between them.

An invisible hand grips Edith's heart. She sees herself blossoming, shedding old ideas about who she is and transforming into a new self. However, standing up to his father and his desire would mean that the rebirth would be nipped in the bud. Whatever he decides, he always loses a piece of himself. However, he has to decide.

The four women of Schiele's life, who are forever part of his famous work, tell their story of great love, passion and betrayal, by which they are all inexorably and inextricably linked to each other. The flame inside them can not only captivate, but also burn...